Tali Gallery was pleased to work with the Ngurratjuta Many Hands Art Centre to host a visit from Mervyn Rubuntja who paints in the style of Albert Namatjira.
It is perhaps not as well known as it should be that the multitude of styles that came out of the Desert Art movement have their single point of origin in the Hermannsburg School of water colour painting founded in the 1930s by Rex Battarbee and Albert Namatjira. Namatjira not only showed what was possible for an indigenous artist to achieve; he also provided a template for the early work of such distinguished painters as Clifford Possum and Turkey Tolson. Later artists like Wenten Rubuntja painted in both realist and abstract styles and Wenten remarked on one occasion that the first is about country, the second about law. In other words, the two styles are not opposed to each other, but complementary. More recently Wenten’s son Mervyn gave a moving account of how, when he paints landscapes, he first hears the country singing through him and it is that song that guides the hand that holds the brush. There are thus important, indeed spiritual meanings in water colour painting, just as there are in other styles of Aboriginal art.  (Courtesy of author, Martin Edmond)
There were lots of wonderful guests, visitors, experiences and events throughout the day and in our community. A big thanks to Tilly’s Art Supplies for donating materials, and to our local cafes and restaurants who supported Indigenous culture coming to Rozelle by serving Indigenous Treats on the day – especially Rosebud and About Life!